Europe after the Rain takes its title from Max Ernst's surrealist work, which depicts a vision of rampant destruction - a theme which Burns here takes to its conclusion, showing man not merely trying to come to terms with desolation, but combating human cruelty with that resilience of spirit without which survival would be impossible. The Europe through which the unnamed narrator travels is a devastated world, twisted and misshapen, both geographically and morally, and he is forced to witness terrible sights, to which he brings an interested apathy, without ever succumbing to despair or cynicism. Upon the novel's first publication, Burns was heralded as presenting a picture of his age and capturing the `collective unconscious' of the twentieth century - in a language that can have few rivals for economy, beauty and rhythm. His austere sentences glow with intelligence, colour and force, and evoke a powerful image for the modern reader of fears every bit as relevant today as on the day when they were written.
A writer of real originality and horrifying imaginative power, a writer to be watched, a writer to be read… the whole effect being bare, clipped, stripped, staccato, superbly abrupt. I got the impression of a colossal book, another War and Peace, boiled down and boiled down until only the bones, the essence, the heart remain… This is a nerve-wracking book, ghoulishly successful in touching the reader where it hurts. --The Scotsman
Everyone interested in literary experiment should read Europe after the Rain. It is unique. --Financial Times
His experiment works, and out of his brazen chaos emerges a still small human voice. --The Irish Times