Descriere
Ana Blandiana is one of Romania's foremost poets, a leading dissident before the fall of Communism. Over the years, her poetry became symbolic of an ethical consciousness that refuses to be silenced by a totalitarian governments. This new translation combines five of her collections, three of protest poems from the 1980s followed by her two collections of love poetry. The poems of Predator Star (1985) and The Architecture of Waves (1990) chronicle a convulsed history and pose the question of how to resist the terror of history. Clock without Hours (2014) marks a return to rhyme, as Blandiana attempts a courageous renovation of traditional verse forms. Her fiercely militant voice - that helped inaugurate the postmodern idiom in Romanian poetry in 1984 - has modulated over time into a new tone of forgiveness and renunciation, expressed in meditations on the fragility and vulnerability of being. She has also written two collections of love poems which rank among the most beautiful in contemporary Romanian poetry - October, November, December (1972) and Variations on a Given Theme (2018) - the second of these composed after the death of her husband, Romulus Rusan, in 2016. A prolific and expansive poet, Ana Blandiana constantly re-invents herself. Her work ultimately reflects on universal issues, on human existence itself in our 21st-century consumer society.
'The Romanian Ana Blandiana is one of Europe’s greatest living poets, and she’s well served by this substantial volume containing five previously untranslated collections. Ranging across her writing life, they create a layered portrait of a complex yet consistent poetic identity.' --Fiona Sampson, The Guardian, on Five Books
This is a collection that deals with change and its repercussions; the affects that can't be seen coming and the way that large scale change can utterly de-centralise a person. --Matt MacDonald , Glasgow Review of Books [on The Sun of Hereafter]
Blandiana is a pure lyricist, focused entirely on the event of how imagination finds words and rhythms that make certain mental experiences memorable. Her poems characteristically achieve strange precisions by having pervasive metaphors unfold her sense of 'sacred void' as negative plenitude. --Charles Altieri , UC at Berkeley
