The multi-million copy selling, international bestseller
Kim Jiyoung, Born 1982 is the South Korean sensation that has got the whole world talking. The life story of one young woman born at the end of the twentieth century raises questions about endemic misogyny and institutional oppression that are relevant to us all.
A GUARDIAN 'ONE TO LOOK OUT FOR 2020' A RED MAGAZINE 'CAN'T WAIT TO READ' BOOK OF 2020
Riveting, original and uncompromising, this is the most important book to have emerged from South Korea sinceHan Kang’s The Vegetarian.
“This is a book about the life of a woman living in Korea; the despair of an ordinary woman which she takes for granted. The fact that it’s not about ‘someone special’ is extremely shocking, while also being incredibly relatable.” Sayaka Murata, author of Convenience Store Woman
Kim Jiyoung is a girl born to a mother whose in-laws wanted a boy.
Kim Jiyoung is a sister made to share a room while her brother gets one of his own.
Kim Jiyoung is a female preyed upon by male teachers at school. Kim Jiyoung is a daughter whose father blames her when she is harassed late at night.
Kim Jiyoung is a good student who doesn’t get put forward for internships. Kim Jiyoung is a model employee but gets overlooked for promotion.
Kim Jiyoung is a wife who gives up her career and independence for a life of domesticity.
Kim Jiyoung has started acting strangely.
Kim Jiyoung is depressed.
Kim Jiyoung is mad.
Kim Jiyoung is her own woman.
Kim Jiyoung is every woman.
'This witty, disturbing book deals with sexism, mental health issues and the hypocrisy of a country where young women are “popping caffeine pills and turning jaundiced” as they slave away in factories helping to fund higher education for male siblings.' The Independent
'A treatise and a howl of anger […] it describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch. The books demonstrates the unfairness of the female experience and the sheer difficulty of improving it.’ The Sunday Times
‘An all-too-familiar tale of a smart woman being slowly crushed by constant, inescapable sexism […] beneath the analytical detachment is a rolling rage that compellingly captures Kim Jiyoung’s frustrations’ , Daily Mail
‘Kim Jiyoung, Born 1982 is a novel of education, in more ways than one. Riffing with the bildungsroman form, Cho has created a heroine who, as her life progresses does not so much develop as unravel. The author’s particular achievement is in blending political and stylistic concerns in a cool tone carefully captured in Jamie Chang’s translation. […] In a culture which places the importance of the category “woman” over that of the individual “person”, we are invited to see Kim Jiyoung’s identity-erasing “insanity” as radical protest. Cho’s moving, witty and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other. There’s a logic to Kim Jiyoung’s shape-shifting: she could be anybody’, Daily Telegraph
‘A ground-breaking work of feminist fiction’, Stylist
‘A touchstone for a conversation around feminism and gender […] The character of Kim Jiyoung can be seen as a sort of sacrifice: a protagonist who is broken in order to open up a channel for collective rage. Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho’s Oscar-winning film Parasite, her story could change the bigger one’ , Guardian
‘A treatise and a howl of anger […] it describes experiences that will be recognisable everywhere. It’s slim, unadorned narrative distils a lifetime’s iniquities into a sharp punch. The books demonstrates the unfairness of the female experience and the sheer difficulty of improving it.’, The Sunday Times
'Enthralling and enraging', Sunday Express
'Jiyoung is no raging feminist, rather a passive vessel, which makes her eventual breakdown all the more powerful, while the calm, matter-of-fact prose style adds to the reader’s growing sense of disquiet.', Metro
'All the more harrowing for the dry manner in which it is told', i
'To read the book is to imagine being a restive, aggrieved millennial and to trace her path through everyday misogyny.', New York Review of Books
'I loved this novel. Kim Jiyoung’s life is made to seem at once totally commonplace, and nightmarishly over-the-top. As you read, you constantly feel that revolutionary, electric shift, between commonplace and nightmarish. This kind of imaginative work is so important and so powerful. I hope this book sells a million more copies.' -- Elif Batuman, author of The Idiot (shortlisted for The Women's Prize)