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Box Hill: The inspiration for the major film PILLION

Paperback
ISBN:  9781913097233
RRP: 86,00 lei 68,80 lei
 
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Descriere

THE INSPIRATION FOR PILLION, STARRING ALEXANDER SKARSGARD AND HERRY MELLING On the Sunday of his eighteenth birthday, in 1975, Colin takes a walk on Box Hill, a biker hang-out. There he accidentally trips over Ray, a biker napping under a tree – and that’s where it all starts. This transgressive, darkly affecting love story between men, winner of the 2019 Fitzcarraldo Editions Novel Prize, is a stunning novel of desire and domination by one of Britain’s most accomplished writers. Pillion, the film adaptation of Box Hill starring Alexander Skarsgard and Harry Melling, was an official selection for the Cannes Film Festival 2025 and shown at the London Film Festival 2025.

 

Detalii

Editura: Fitzcarraldo Editions
An apariție: 2020
Nr. pagini: 128
Dimensiuni: 20 x 13 cm

Recenzii

‘The biggest small book of the year.’
― John Self, Guardian


‘An exquisitely discomfiting tale of a submissive same-sex relationship ... perfectly realised.’
― Anthony Cummins, Observer


‘I very much enjoyed Box Hill. It is a characteristic Mars-Jones mixture of the shocking, the endearing, the funny and the sad, with an unforgettable narrator. The sociological detail is as ever acutely entertaining.’
― Margaret Drabble


‘Adam Mars-Jones has never needed to write at great length to convince readers of his talent.... Mars-Jones’s latest work is a sliver of a novel that provides ample evidence of his prowess.... Box Hill is not a novel for the prudish, but it is a masterclass in authorial control.... Despite its diminutive length, it is rich with detail and complexity, and has plenty to demonstrate Mars-Jones’s well-deserved place on any list of our best.’
― Alex Nurnberg, Sunday Times


‘A clever and subtle novel.’
― Max Liu, Financial Times


‘The very best novel of the year was Adam Mars-Jones’s complex, shifting and sensationally lewd Box Hill – for once in 2020 a novel written not to make an approved point or demonstrate its author’s virtue but to explore calmly the wildest stretches of human behaviour. Its subject is cruelty, both theatrically performed and executed in reality, without costumes. A masterpiece that Dame Ivy would have been greatly interested by.’
― Phillip Hensher, Spectator

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